Love Overdue by Pamela Morsi: Unevenness Defined

“D.J. considered herself some kind of an expert in compartmentalizing. It was undoubtedly a genetic trait. She’d shown early talent in boxing up every aspect of her life, careful never to taint any experience with another. Everything about life, the precious, the bitter, the uncertain, could be perfectly managed and excellently controlled if it was kept securely on its own.”

I read this one because another book by Morsi, The Lovesick Cure, was highly recommended to me, and was analyzed in-depth on Romance Novels for Feminists. So, of course, instead of reading that book, I read this random Morsi novel, Love Overdue, with one of those can't-resist-cute covers.

Yes, I am a sucker for those covers with the feet--don't judge me too harshly. 

While there were a number of elements that worked for me, particularly Morsi's writing--which is fast-paced and flows nicely, Love Overdue exemplifies the mixed bag, uneven novel, which are some of the hardest to write about. 

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Five Thoughts on Maggie Stiefvater's The Dream Thieves

The second installment in Maggie Stiefvater's Raven Cycle series, The Dream Thieves, is out today and I've been pondering just how to write about it. I've come to the conclusion that this series is so very complex, while also being subtle, that it's nearly impossible for me to "review" the books in this series in a traditional sense. 

In lieu of an actual exhaustive review of The Dream Thieves (you can read our not-review of The Raven Boys here, by the way), I thought I'd completely cop-out and provide you with a list of five things I'm still pondering after reading The Dream Thieves.

 

#1 The Dream Thieves is even more dreamy and atmospheric that The Raven Boys.  

It was mint and memories and the past and the future and she felt as if she’d done this before and already she longed to do it again.

These novels are rooted in their atmosphere, intricate mythology and tangled relationships that they're going to either work for readers or leave them wondering what the hell they just read. And I mean that in a good way--I adore this series and believe it's different from anything else on the shelves at the moment. Reading this series feels more like I'm experiencing the story, rather than reading a book--it's just that immersive. 

Podcast #11: Personal Agency in Fiction with Author Mindi Scott

We're super-excited to have a two-part episode of the podcast with our friend and a favorite author, Mindi Scott. Mindi is the author of two outstanding books for teens, Freefall (2010, Simon Pulse) and Live Through This (2012, Simon Pulse).

Mindi's novels are "quieter" stories focussing on characters taking control of their own lives--stories of personal agency. We thought it would be great to have her talk about this theme in the context of not only her own books, but those she recommends as well. Mindi brought up some fascinating concepts related to how these types of stories are constructed, so we hope you enjoy!

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Links & Things: Friday the 13th Edition

I haven't posted a slew of interesting links in awhile, but I've been saving up a bunch to share with y'all. 

Onward ho!

Video of Awesome

There's a special place in movie hell for Prometheus, quite possibly the worst "film" I've ever seen. Awhile back, Laura sent me this fabulous video about everything that's wrong with that movie. Enjoy. 

Required Reading

“ She could have created an original character, but she chose the dead sister of one of history’s most famous murdered children as her subject, and there is something horrifically exploitative about that. Margot’s story in Cantor’s novel is unspecific enough that it could have been about any survivor, but the usage of the Frank name rings of gimmickry. ”
— Jason Diamond, Flavorwire

When I saw Jillian Cantor's Margot up on Netgalley, it certainly gave me pause. As a human being, there's something that just doesn't sit right with me about this premise (and apparently, there are other titles of this ilk). Jason Diamond of Flavorwire wrote a succinct discussion of why this needs to stop

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Consequences & Sacrifice in Cristin Terrill's All Our Yesterdays

I’ve been trying to pin down exactly why I enjoyed All Our Yesterdays so much, beyond that I’m a sucker for time travel stories. What I’ve come up with is that Cristin Terrill’s debut novel uses the time travel narrative to its fullest potential, exploring the nature of love, sacrifice and the consequences of both. 

All Our Yesterdays opens with Em, who is imprisoned in a secret facility, finding a list of instructions taped inside a drain in her cell. The instructions are written in her handwriting, but she’s never seen them before. Together with the boy in the cell next to hers, Finn, she escapes her imprisonment and travel back in time four years in attempt to stop the evil “doctor” who built the time travel machine that was used to disrupt the course of history and create a totalitarian-type government. In order for the machine to be destroyed, the doctor must be eliminated.

Except, the “doctor” is someone from Em and Finn’s past, their close friend and someone they both loved in their past. Killing him and stopping the time machine will also irrevocably alter their own lives. 

Four years in the past, Marina pines for her neighbor and friend James. Both are privileged and sheltered, and it seems like James might be beginning to see Marina as something more than a friend. Then, a tragedy strikes James’ family and he’s changed. Marina feels like she’s losing her beloved friend, but her loyalty endures. 

These two stories intersect from both Marina and Em’s points-of-view, as each is faced with big questions, the answers to which mean big consequences and require difficult sacrifices.

Read the rest! 

 

Lauren Graham's Someday, Someday Maybe & What 'New Adult' Could Be

“Once again, I’ve been thwarted by the massive difference between my vision of the successful me and the me I’m currently stuck with.”

I recently listened to the audiobook of Lauren Graham's debut novel, Someday, Someday Maybe and really enjoyed it. The Gilmore Girls and Parenthood actress penned a surprisingly fresh novel, which, while predictable and in need of a bit of smoothing out in terms of the prose, succeeded in charming me from beginning to end. Graham's voice is fresh, and infused with authentic comic moments.

Someday, Someday Maybe also gave me pause in that it represents the sort of story I'd love to read more of, the stories that I'd hoped the burgeoning "New Adult" thing would and could be. 

Someday, Someday Maybe follows Franny Banks, struggling to create an acting career for herself in New York City in 1995. She's set a deadline for achieving undefined "success" and that deadline is rapidly approaching. She's had a few gigs and been accepted into a prestigious acting course, but as she's watching the clock tick on her future, she wonders if she's going to be another has-been who couldn't make her dreams become reality. Franny ponders the wisdom of her audacity to to wish for something special, since she doesn't think she's particularly exceptional. 

Would Franny be better off getting a teaching certificate, like her father would like, going home and marrying her "backup plan"? Is all the rejection and instability worth it? 

Read the rest! 

Love, Sex & Feminism (or not?) in Lauren Myracle's The Infinite Moment of Us

I wasn’t planning on writing about Lauren Myracle’s The Infinite Moment of Us. 

When I first picked it up, I only waded through three chapters before deciding it wasn’t for me. Then, glowing reviews piled up, and I thought that maybe I wasn’t in the right mood for this novel and gave it another shot. I slogged through all but the last couple chapters before abandoning the novel again. Finally, after chatting with Laura about the numerous aspects of The Infinite Moment of Us that frustrated and disappointed me, and deciding that my aggravations were probably worth noting on CEFS, I forced myself to finish those last chapters.

The Infinite Moment of Us is written in the popular dual narrative style from the point of view of recent high school graduates Wren Gray and Charlie Parker. Wren is a classic over-achieving people-pleaser, headed for a good college and a future her parents approve of. Except she comes to the realization that pleasing her parents means letting herself down by ignoring her own dreams. She’s also been accepted into an outreach-type program in Guatemala and wants to take a gap year and pursue that rather than start college immediately. The disappointment from her parents about this decision, however, is an overwhelming burden.

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3 Recommended Creepy Reads

I enjoy novels with a bit (or a lot) of the occult and ghost-y elements. As you know, I am a fan of the creepy, so those elements fit the bill perfectly. I've recently read three that I enjoyed and thought I'd share my thoughts with you.

In the Shadow of Blackbirds by Cat Winters

•Portland, Oregon–––––October 14, 1918•
The day before my father's arrest, I read an article about a mother who cured her daughter of the Spanish flu by burying her in raw onions for three days. 

Thus begins a truly fine fantastic debut novel about sixteen-year old Mary Shelley Black. Her father’s been arrested for treason, her boyfriend’s fighting overseas, influenza threatens to deplete the population–it’s a fearsome world, a bleak reality for Mary.

Cat Winters captivated me with her unusual historical novel, In The Shadow of Blackbirds.

Interspersed throughout the book are photographs of the era. Images of this bleak period in American history bring stark life to the words skillfully woven into a story of a young girl who sees the spirit of her lost love crying out to her as she struggles to maintain her own balance in a world twisted with fear and injustice.

Read the rest! 

 

A Unique Historical Novel - The Boy on the Bridge by Natalie Standiford

As I mentioned when I wrote about Jennifer Donnelly’s wonderful A Northern Light, I love the idea of historical novels, but I often struggle to enjoy them. I’m incredibly picky about historical fiction, so I was thrilled to discover Natalie Standiford’s The Boy on the Bridge. 

Set in 1982 Leningrad (St. Petersburg to you kids) in what was then known as the USSR (Russia to you kids), The Boy on the Bridge chronicles main character Laura’s semester abroad (she’s a Russian major at Brown). She lives in a horrible barracks-style dormitory known as Dorm 6, and takes classes in Russian language and literature.

They’re constantly monitored, eat horrible food and live a fairly sparse life, though it’s far beyond the standards of most Russians. When they first arrived in Leningrad, Laura and the rest of the students are warned to avoid relationships with the locals, as they are seen as targets for young people wanting to get out of the USSR. Marriage to a foreigner is the easiest, most accessible, way out of the Soviet Union, so college students like Laura, looking for adventure are good prospects for a ticket out. 

Through what seems like a chance meeting on a bridge near her dorm, Laura meets Alyosha (he’s named Alexei, but doesn’t use that name), a 22-year old artist employed in a “make-work” job painting scenes from movies on posters at theaters. He suggests that the two spend time together so that they can practice each other’s languages, and Laura and Alyosha quickly become embroiled in a whirlwind romance—a romance with an end-date, since Laura is only in Leningrad for the semester. As Laura becomes immersed in Alyosha’s world, she begins to wonder if there’s a way they can have a future, if she can give him a better life in America. 

The Boy on the Bridge is beautifully historical and rooted in the time.

Uneven, Yet Compelling - Just Like Fate by Suzanne Young and Cat Patrick

I think about how Simone offered me the choice to stay or go—and how it so easily could have gone the other way. For a moment, I wonder what life would look like had I gone down the other path.

I’m a sucker for “Sliding Doors”-style stories. Even though much of the time, they don’t work for me, the concept of one decision or moment being the tipping point for a series of divergent events intrigues me. I guess, philosophically-speaking, I believe there’s something to that notion. 

Because of that, I was excited to learn that Suzanne Young—who’s novel The Program was a real surprise for me this summer—co-wrote a novel with Cat Patrick, Just Like Fate, examining this very concept. 

The novel introduces Caroline, a teenager who’s beloved grandmother, with whom she lives, is hospitalized with a stroke. She’s been at her bedside, panicky when she discovers that Gram won’t recover. All she can think of is escape, and her best friend provides just the chance by inviting her out to a party. At this point, the story diverges into two paths: “Stay” and “Go.”

Review: Heart of Palm by Laura Lee Smith

Laura Lee Smith’s beautifully crafted novel, Heart of Palm is long, 449 pages, and each page illuminates the Bravo family, their home and Florida’s landscape. It captivated me with lovely language and beautiful storytelling. It’s alive, vibrant with a sense of  the people and place.

With each new twist in the novel, my admiration for Heart of Palm grew.

Heart of Palm brought me into the lives of the Bravo family, a family that at its core is like many families: difficult to define or understand, sometimes dysfunctional, yet complex with layers of love and hurt melding together. Its charm comes from characters and setting.

This is the Bravo family. Their world. Their uniqueness.

The Bravos live outside of St. Augustine, Florida in the fictional village of Utina. Their rickety and once-grand home, Aberdeen, stands along an intracoastal waterway that ebbs and flows to a slow southern rhythm. Named for the chief of the Utina tribe, the land of oaks and Spanish moss is enchantingly beautiful. Now it slowly slides into the 21st century with a culture solidly entrenched in the past. 

Real estate developers have no interest in the town’s colorful history. Instead, they have cast a hungry eye on the land, especially the Bravo’s: a marina, restaurants, Starbucks—ah, the endless possibilities to make money. The natural land must bend to progress as the moneyed class sees it. 

The plot develops less from this pull of money and more unfurls from the Bravo family, of how each has a secret that slowly unwinds toward resolution.

Thought-Provoking, High-Concept - You Look Different in Real Life by Jennifer Castle

This is not a soap opera, folks. This is my life.
And it is absolutely, positively as unamazing as you can get.

You Look Different in Real Life is a high concept novel, one that at face explores the experiences of five teens who are the subject of an ongoing series of Up-style documentaries, but at its core examines the way we construct identities, or identities are assigned to us. 

We see this experience through the eyes of sixteen year-old Justine, accidental star of a documentary series following five classmates at six, eleven and now sixteen. Leslie and Lance, the directors, have crafted a story for these children, and they each have played into their roles. Justine is sarcastic and rebellious; Felix has been cast as the working class kid (but he also has a secret); Rory is autistic and loves Ren Fair; Keira is elegant and distant; and Nathan is the popular Golden Boy. 

The fact that I go right to thinking about people a.k.a audiences makes me mad, and the fact that I don’t know how to change that makes me even madder. But what can I do?

The thing is, Justine doesn’t feel like the star anymore and has to be dragged into participating in Five at Sixteen by Felix, who dreams of being the focus of this edition of the series. As they reunite once again, the years of their lives being woven together become harder to avoid, and old pain bubbles to the surface once again. 

Four Quickie Reviews

I don't review all the books I read--that seems like a daunting, and kind of stressful task, to be frank. However, I wanted to spotlight a few books that I've read recently which I think are worth discussing and recommending, albeit with more brevity than in my usual reviews. 

Because it is My Blood by Gabrielle Zevin

Because it is My Blood is the second in Gabrielle Zevin's unusual dystopian mafia series, the first of which is All These Things I've Done. The narrative style of this series is one that will either work for people or not--the memoir-like reflective style is definitely different and I really love it. This second novel in the series sends Anya to Mexico, and this shift from New York makes for a a quieter, slower installment in contrast with the first novel in the series (which I reviewed here and where I detailed the premise of the series). I also really enjoyed the new characters introduced in this installment, especially Anya's new friend Theo, who brings some interesting perspective to her life.