All in Verse Week

{Review} Inside Out and Back Again by Thanhha Lai

I now understand
when they make fun of my name,
yelling ha-ha-ha down the hall 
when they ask if I eat dog meat,
barking and chewing and falling down laughing
when they wonder if I lived in the jungle with tigers,
growling and stalking on all fours.

I understand
because Brother Khoi
nodded into my head
on the bike ride home
when I asked if kids
said the same things
at his school.

Inside Out and Back Again by Thanhha LaiThanhha Lai writes her verses in her award winning middle grade novel in verse, Inside Out and Back Again, from the heart, and memory of deeply felt experience.

She poignantly and artistically brings emotion, both painful and joyful, straight from the page and into the senses. She recounts her family’s escape before the fall of Saigon through the eyes and the voice of Ha Ma. With other refugees they’re packed into small, often unsanitary quarters on a ship that will take them to safety, freedom and a new culture. 

Ha Ma, her brother Quang remembers,  “was as red and fat as a baby hippopotamus” when he first saw her, thus inspiring her name, Vietnamese for river horse. He could not have imagined that in a few years her name would become the stick that tormented her in a foreign land (Alabama) far from her beloved Saigon.

I taught in a public high school for many years and some of my students were children of those leaving their homelands in search of a better or freer life. Children that were just like Ha Ma. I went through the process to become certified to teach English as a Second Language. Yet with all my training and experience I realize that I could not have known the real pain these children lived with each day, in a new and strange environment.

Because I am Furniture by Thalia Chaltas

Thalia Chaltas’ Because I am Furniture exemplifies the unique power of novels in verse. There are a lot of yougn adult novels about family violence, and many of them are excellent. However, in Because I am Furniture, the verse form allows the reader to experience the house of horrors in which Anke, the main character, lives. 

Fourteen year-old Anke’s siblings are terrorized by their abusive father while her mother passively watches, seemingly accepting the violence and sexual abuse of her children. Anke, however, is simply ignored. 

I am always there.
But they don’t care if I am
because I am furniture.

I don’t get hit
I don’t get fondled
I don’t get love
because I am furniture

Suits me fine. 

I accidentally read my first novel-in-verse on February 29th, 2012. 

Sarah and I are book doppelgangers, so when she strongly recommended the book Love and Leftovers by Sarah Tregay, I blindly hit the one-click purchase button on Amazon and downloaded it to my Kindle without bothering to read the description.

By the time I realized that the book lacked any sort of prose, I was already mesmerized by the verse form. I was late to work that day because I sat in my car figuring out how to use the highlighting function on my Kindle for the first time.

Later, I almost forgot to pay for my lunch because I had finally figured out how to use the highlighting function on my Kindle and was frantically trying to highlight the entire book before the end of my lunch hour.

And THEN, I was fiendishly delighted that my SHO had to work late that evening because it allowed me to devour the rest of the book after I got home from work without interruption.

Now, of course you must be thinking (because you all know me so well and all),

But Laura! Of course you love novels-in-verse! You’re a piano player! And a singer! That means you love poetry! And novels-in-Verse are TOTALLY poetry!

Um. No.

Actually, I don’t “get” poetry. The word “poetry” has traditionally evoked a strong negative reaction from me.

Review - The Day Before by Lisa Schroeder

Many times
when I read a book, 
I want to savor 
each word, 
each phrase, 
loving the prose 
so much, 
I don’t want it 
to end. 

Other times
the story pulls me in, 
and I can hardly 
read fast enough, 
the details flying by, 
some of them lost 
because all that matters
is making sure 
the character
is all right 
when it’s over.

This day
is like the best
of both kinds 
of books.

The Day Before by Lisa Schroeder

I could say the same for Lisa Schroeder’s beautiful, moving novel in verse, The Day Before. This short novel, spanning just a day, is firmly entrenched on my list of favorites. 

Amber’s life has taken an unexpected turn, and everything is going to change for her in just 24 hours. So, she heads to the central Oregon coast alone, seeking refuge. There, she meets Cade at the Oregon Coast Aquarium shark tank. He’s a boy her age facing his own “day before,” and the two spend their day on the coast together. 

What’s so stand-out for me in The Day Before, is the strong sense of place Lisa develops within such a relatively short novel.

verse: I love you so

not really poetry but

yet still poetic*

Novel in Verse

Laura and I both have a relatively newfound, near-obsessive love for novels in verse. And, seeing as how April is/was National Poetry Month, we thought we’d usher in May with some love for novels in verse.

This week, we’ll be celebrate all that we love about novels in verse, highlighting some of our favorites and talking about what it is that makes verse novels so very special.

We hope you enjoy Clear Eyes, Full Shelves’ celebration of novels in verse—we’re thinking that we’ll make this an annual tradition of sorts, expanding it next year to include other folks as well. 

To kickoff Novel in Verse Week we have…

Five Truths About Novels in Verse

1. It is a known fact that novels in verse > poems.

Okay, okay… so some folks will probably disagree with me, but hear me out. Poetry is pretty nifty: you have rhyming (sometimes), meter, interesting structures and language plays. With novels in verse—you get all of that, plus a whole story! Plus, novels in verse often play with many different poetic forms in a single novel. (One of my favorites, Love & Leftovers by Sarah Tregay, does this brilliantly.)